The thing I hate most about birthdays in the Web era is the absurdly
insincere birthday greetings in email and on FB from corporations that
happen to have my birthday in their database. What am I supposed to think about "good wishes" that don't emanate from any actual person? At best, it's an attempt to co-opt the natural human reaction of reciprocity; at worst, it's a crude sales pitch (who doesn't want a new weed trimmer on their birthday, right?).
If I wanted to read
meaningless, empty, formulaic wishes that don't genuinely emanate from any real
person with real feelings, I would go stand and stare in front of the birthday
card rack at Hallmark for an hour.
At least, that's what I used to do before the restraining order.
Thursday, June 25, 2015
Tuesday, June 23, 2015
Some Thoughts On Jurassic World
Oh, and SPOILERS, obviously.
Here's a couple of thoughts about Jurassic World that I haven't seen mentioned elsewhere.
1. Owen (Chris Pratt) is actually responsible for hundreds of deaths. If instead of trying to escape from the Indominus Rex compound he had heroically accepted his fate and sacrificed his own life so that the others could escape without releasing the dinosaur, nobody else would have died. Also, the movie would have been over much more quickly.
2. Everybody online is complaining about Claire (Bryce Dallas Howard) running around the woods in her high heels and never once sinking in, losing a shoe, or breaking a heel. I think the director missed a great opportunity to capitalize on that. When Owen is pinned down by a pterosaur and Claire saves him, instead of shooting the pterosaur she should have spiked it in the head with her heel.
And then she and Chris could have exchanged some witty banter about how he's sorry for mocking her footwear, while all around them people continue to be dragged to their horrible deaths, all because Owen didn't sacrifice himself in the first act (see point 1 above).
3. As an aside, Claire is obviously not from New York or she would have a pair of sneakers in her purse that she changes into when it's time to run for the train.
4. I don't think I've ever seen such gratuitous product placement in a movie ostensibly about the evils of over-commercialization. Even in actual Mercedes commercials the camera doesn't caress the bodywork so lovingly before coming to rest on such a prominent shot of the emblem. The director of this movie either has the most profound sense of irony on the planet, or none at all. I'm not sure which.
Here's a couple of thoughts about Jurassic World that I haven't seen mentioned elsewhere.
1. Owen (Chris Pratt) is actually responsible for hundreds of deaths. If instead of trying to escape from the Indominus Rex compound he had heroically accepted his fate and sacrificed his own life so that the others could escape without releasing the dinosaur, nobody else would have died. Also, the movie would have been over much more quickly.
2. Everybody online is complaining about Claire (Bryce Dallas Howard) running around the woods in her high heels and never once sinking in, losing a shoe, or breaking a heel. I think the director missed a great opportunity to capitalize on that. When Owen is pinned down by a pterosaur and Claire saves him, instead of shooting the pterosaur she should have spiked it in the head with her heel.
And then she and Chris could have exchanged some witty banter about how he's sorry for mocking her footwear, while all around them people continue to be dragged to their horrible deaths, all because Owen didn't sacrifice himself in the first act (see point 1 above).
3. As an aside, Claire is obviously not from New York or she would have a pair of sneakers in her purse that she changes into when it's time to run for the train.
4. I don't think I've ever seen such gratuitous product placement in a movie ostensibly about the evils of over-commercialization. Even in actual Mercedes commercials the camera doesn't caress the bodywork so lovingly before coming to rest on such a prominent shot of the emblem. The director of this movie either has the most profound sense of irony on the planet, or none at all. I'm not sure which.
Tuesday, May 19, 2015
How to win bar bets with Wikipedia
Step 1: Edit Wikipedia to insert a fake "fact". Choose your fact carefully: it needs to be unlikely enough that your mark will bet against it, but not so crazy that it will provoke obvious incredulity ("Prince Philip, the Duke of Edinburgh, is a Furry"), causing the mark to doubt the veracity of Wikipedia. You also need to be sure that your edit won't get quickly reverted, so stay away from entries that are closely watched, controversial, or recently in the news ("in 2014, more goats were killed in rail accidents in the US than people").
Step 2: Choose your mark and place your bet.
Step 3: "Prove" your claim by looking it up on Wikipedia. Collect your winnings and leave before the mark checks other sources or your Wikipedia edit gets reverted.
Step 2: Choose your mark and place your bet.
Step 3: "Prove" your claim by looking it up on Wikipedia. Collect your winnings and leave before the mark checks other sources or your Wikipedia edit gets reverted.
Wednesday, April 15, 2015
Physics Problem: barometers and building height
There's a physics problem that typically gets presented to children when they learn about pressure (air, water, and often mercury) and barometers. And it seems to me that the problem is broken. The question is: how could you use an ordinary barometer to measure the height of a tall building? And the expected answer is to measure the air pressure at the top and bottom, and then knowing the weight of air, compute the elevation change.
But let's check the feasibility of this with a quick back-of-the-envelope calculation. For any realistic earthbound circumstance, we can assume that the pressure drops linearly with altitude; see the chart below. For reference, Denver, Colorado is at about 1600m, and the highest town in Great Britain is under 500m; we won't find much in the way of tall buildings above an altitude of 4000m.
("Atmospheric Pressure vs. Altitude" by Geek.not.nerd - Own work. Licensed under CC0 via Wikimedia Commons)
So what would our barometer tell us? Since we're just investigating the feasibility here, we're going to round things a little to make the math easy. Don't worry, no truths were harmed during the making of this calculation:
Fortunately there are two other possible ways to use a barometer to determine a building's height:
But let's check the feasibility of this with a quick back-of-the-envelope calculation. For any realistic earthbound circumstance, we can assume that the pressure drops linearly with altitude; see the chart below. For reference, Denver, Colorado is at about 1600m, and the highest town in Great Britain is under 500m; we won't find much in the way of tall buildings above an altitude of 4000m.
("Atmospheric Pressure vs. Altitude" by Geek.not.nerd - Own work. Licensed under CC0 via Wikimedia Commons)
So what would our barometer tell us? Since we're just investigating the feasibility here, we're going to round things a little to make the math easy. Don't worry, no truths were harmed during the making of this calculation:
- For every 1000m of altitude gained, the pressure drops ~10kPa, the chart tells us (at least, over the range we are concerned with).
- Thus for each meter, the pressure drops ~10Pa; that's 0.1hPa. (1 hectopascal or 1hPa = 100Pa, and is the modern unit equivalent to millibars, commonly used in meteorology.)
Fortunately there are two other possible ways to use a barometer to determine a building's height:
- Drop the barometer off the top of the building and time how long it takes to hit the ground below. For a building in the range of 100m to 200m, timing accurate to 0.01s would give a precision of around 0.5m, so we will probably want to use some kind of electronic timing device rather than a hand-operated stopwatch. (With manual timing we could reasonably only count on a timing accuracy of 1/10s, which by coincidence converts to about the same height accuracy as the digital barometer.) For example, we could have synchronized clocks at top and bottom, an electromagnet release that records the start time and a sound-activated circuit to record the stop time. For a heavy barometer, we can ignore air resistance.
- Find the building custodian and say to him "If you can tell me how tall this building is, I will give you this lovely barometer". This is definitely my favorite solution.
Monday, April 13, 2015
The American problem
The fundamental tension in America is that the red states want to be
Sparta and the blue states want to be Athens, and the only thing that
unites them in common cause is fear of Persia.
Friday, April 10, 2015
On the intractability of free will
[Author's note: the thoughts here originated as a Letter to the Editors at New Scientist, in response to a somewhat throwaway remark, in an article about randomness, that chance may be essential to the existence of free will. I felt that the point deserved delving into in more depth. New Scientist did publish the letter, but as is typical edited it down for publication -- in particular, many of my adverbs did not survive. Consequently, I wanted to share the full text here.]
One intriguing possibility, however, is that whatever free will actually is, randomness provides a means for it to influence the brain without apparently violating known physical law; a curtain behind which it can hide. Imagine that free will is able to influence apparently-random outcomes deep in the brain, to achieve a desired output, but is also constrained by the need to appear random over the long term. The brain would be like a rigged casino where the roulette wheel comes up red or black at the casino's own choosing, but it must still ensure that the two come up equally over the long term if it is not to be caught breaking the rules. Correspondingly, we might speculate that free will rigs the brain game by influencing individual apparently-random quantum outcomes, which chaotic systems in turn amplify to macroscopic scale, but is limited in the long run because the overall outcomes must match our probabilistic quantum expectations.
Intriguingly, existing psychological experiments are consistent with this model of free will. For example, we know that behaviors that are usually considered exercises of free will such as "paying attention" or "resistance to temptation" are limited and can be exhausted, requiring time to recharge, even though they don't seem to be associated with anything as obvious as depletion of specific neurotransmitters or saturation of synapses. Yet this is exactly what we expect if free will can only influence a limited number of outcomes while staying hidden within known physical laws.
Whatever free will turns out to be -- assuming it exists at all -- understanding it will take at least as great a conceptual leap as that from classical mechanics to quantum theory. And perhaps it is only the reality of chance that connects these three views of reality into a consistent, scientifically explicable universe.
Randomness may be necessary to "admit free will" in an
otherwise-mechanical universe ("Chance", New Scientist 14 March 2015, p.28ff) but by itself
it is not sufficient. It's hard to argue scientifically about the
existence of free will in the absence of a rigorous definition of what
it is, but we can say something about what it does. And at
a minimum, it's existence requires that the outputs of my brain -- my
actions -- are not completely determined by the inputs plus initial
state. This is, of course, an astonishing proposition that is contrary
to any other known physical system or law. Even if we introduce
randomness, we merely allow a range of outcomes distributed
probabilistically, but we still have no element of intentionality or
purpose, the other essential ingredient in free will. Randomness alone
would make us no more free than tumbling dice.
One intriguing possibility, however, is that whatever free will actually is, randomness provides a means for it to influence the brain without apparently violating known physical law; a curtain behind which it can hide. Imagine that free will is able to influence apparently-random outcomes deep in the brain, to achieve a desired output, but is also constrained by the need to appear random over the long term. The brain would be like a rigged casino where the roulette wheel comes up red or black at the casino's own choosing, but it must still ensure that the two come up equally over the long term if it is not to be caught breaking the rules. Correspondingly, we might speculate that free will rigs the brain game by influencing individual apparently-random quantum outcomes, which chaotic systems in turn amplify to macroscopic scale, but is limited in the long run because the overall outcomes must match our probabilistic quantum expectations.
Intriguingly, existing psychological experiments are consistent with this model of free will. For example, we know that behaviors that are usually considered exercises of free will such as "paying attention" or "resistance to temptation" are limited and can be exhausted, requiring time to recharge, even though they don't seem to be associated with anything as obvious as depletion of specific neurotransmitters or saturation of synapses. Yet this is exactly what we expect if free will can only influence a limited number of outcomes while staying hidden within known physical laws.
Whatever free will turns out to be -- assuming it exists at all -- understanding it will take at least as great a conceptual leap as that from classical mechanics to quantum theory. And perhaps it is only the reality of chance that connects these three views of reality into a consistent, scientifically explicable universe.
Wednesday, April 01, 2015
Athens and Sparta: A Parable About Open and Closed Source Software
Among all the city-states of Classical Greece, the most
famous are certainly Athens
and Sparta.
Sometimes allies, often enemies, despite their shared language and culture, these
two could not have been more different. So in the rivalry between Athens and Sparta, who ultimately emerged
the winner?
In the 5th century BCE,
the dominant city-state was Sparta.
It was hierarchical, authoritarian and ruled by tyrannical kings and
aristocrats. It’s greatest cultural values were discipline and conformity, and the
kings of this highly militaristic state were also its generals. Sparta was incredibly
effective at concentrating its resources to conquer a chosen goal – the phrase
“the tip of the spear” could have been invented for them. As a result, Spartans
were feared in battle across the Greek world, and Sparta was able to impose its military will
on its neighbors.
But then, Athens
began to rise to prominence and oppose the hegemony of Sparta. It became a famous center of
creativity in the arts, learning and philosophy, home to Plato's Academy and
Aristotle's Lyceum. Athens
also gave the ancient world Socrates, Pericles, Sophocles and many more
philosophers, writers and politicians. Its schools and forums were often
lively, open-air marketplaces for competing ideas. It thrived on chaos. Even
more remarkable were its experiments in democracy that included a unique combination
of direct and representative democracy: everybody was expected to participate
in and contribute to Athenian civic life. In stark contrast to Sparta’s general-kings, Athens elected its generals according to the
needs of each war.
For a century, Athens
and Sparta were
in almost constant conflict for dominance of the Greek world, pausing
occasionally and briefly to unite against a common enemy. Finally, in 404BCE, Athens was defeated for
good and fell under Spartan rule. So did this mean that Sparta had won? Not exactly: Sparta’s dominance was short-lived. Neither
Athens nor Sparta ever fully recovered from the costs and destruction of their
wars, which impoverished most of the Greek world and ushered in the end of
Greek pre-eminence.
So if both Sparta
and Athens
lost, who won? While Sparta
and Athens were
exhausting themselves in civil war, far to the west a small village called Rome was growing into a
regional power. Rome
was something strange and new: it borrowed many ideas from the Greeks, but had no
real artistic culture of it’s own. Its sculpture, painting and poetry were second-rate derivations,
sometimes even direct copies, of the works of the Greeks. It contributed no
significant advances in mathematics or science, and barely anything to
philosophy. Even the gods that the Romans claimed to worship were obvious
imitations of the Greek pantheon. And yet, the Romans were exceptional engineers, great builders and
implementers of others’ ideas. While the Greeks declined, Rome conquered a vast empire, convincing
native populations almost everywhere that it was in their best interests to
assimilate into Roman ways.
In the end, neither Sparta
nor Athens won:
both lost to Rome.
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